In the Hindu pantheon, Shiva represents the supreme consciousness as well as the male principle which acquires the power to create and destroy the elements only in conjunction with Shakti, the female principle. Thus Shiva’s consort is the manifestation of the supreme consciousness.
This Amar Chitra Katha special issue narrates three powerful tales of the Mother Goddess.
In the first story, Brahma and Vishnu are keen to see the ascetic Lord Shiva married. They appeal to Goddess Uma to Become Shiva’s consort and she is thus born to Brahma’s son Daksha. She is named Sati. With severe penances, young Sati wins the love of Shiva and they marry. Later, when Daksha insults Shiva, the ever-dutiful Sati immolates herself as she wishes to be reborn to a father she can respect.
True to her word, Sati is reborn as Parvati in the second story of this volume. She is the daughter of the great Mountain King, Himavat, and the lovely nymph, Menaka. Parvati fervently woos Shiva with charm, penance and servitude, in turn. The help of Kama, the God of Love, is also engaged in the romantic tale. Eventually, Parvati is united with her beloved Shiva, never to be separated form him again.
The third part of this volume narrates three tales of the mighty Goddess Durga. Shakti, the female principle, activated Shiva and therefore worshipped as Durga, the personification of universal energy. The worship of Durga can be traced to the mother worship of the ancient pre-Aryan cults. Durga is created form the powerful rays of lights that emanated form the faces of all the Gods. Her thousand arms carry the greatest of all the Gods’ weapons – Shiva’s trident, Vishnu’s discus and Indra’s thunderbolt, among other. In essence, Parvati, Durga, Ambika and Kali or Chamundi are all powerful manifestations of the supreme female Shakti.
This Amar Chitra Katha special issue narrates three powerful tales of the Mother Goddess.
In the first story, Brahma and Vishnu are keen to see the ascetic Lord Shiva married. They appeal to Goddess Uma to Become Shiva’s consort and she is thus born to Brahma’s son Daksha. She is named Sati. With severe penances, young Sati wins the love of Shiva and they marry. Later, when Daksha insults Shiva, the ever-dutiful Sati immolates herself as she wishes to be reborn to a father she can respect.
True to her word, Sati is reborn as Parvati in the second story of this volume. She is the daughter of the great Mountain King, Himavat, and the lovely nymph, Menaka. Parvati fervently woos Shiva with charm, penance and servitude, in turn. The help of Kama, the God of Love, is also engaged in the romantic tale. Eventually, Parvati is united with her beloved Shiva, never to be separated form him again.
The third part of this volume narrates three tales of the mighty Goddess Durga. Shakti, the female principle, activated Shiva and therefore worshipped as Durga, the personification of universal energy. The worship of Durga can be traced to the mother worship of the ancient pre-Aryan cults. Durga is created form the powerful rays of lights that emanated form the faces of all the Gods. Her thousand arms carry the greatest of all the Gods’ weapons – Shiva’s trident, Vishnu’s discus and Indra’s thunderbolt, among other. In essence, Parvati, Durga, Ambika and Kali or Chamundi are all powerful manifestations of the supreme female Shakti.
Description
In the Hindu pantheon, Shiva represents the supreme consciousness as well as the male principle which acquires the power to create and destroy the elements only in conjunction with Shakti, the female principle. Thus Shiva’s consort is the manifestation of the supreme consciousness.
This Amar Chitra Katha special issue narrates three powerful tales of the Mother Goddess.
In the first story, Brahma and Vishnu are keen to see the ascetic Lord Shiva married. They appeal to Goddess Uma to Become Shiva’s consort and she is thus born to Brahma’s son Daksha. She is named Sati. With severe penances, young Sati wins the love of Shiva and they marry. Later, when Daksha insults Shiva, the ever-dutiful Sati immolates herself as she wishes to be reborn to a father she can respect.
True to her word, Sati is reborn as Parvati in the second story of this volume. She is the daughter of the great Mountain King, Himavat, and the lovely nymph, Menaka. Parvati fervently woos Shiva with charm, penance and servitude, in turn. The help of Kama, the God of Love, is also engaged in the romantic tale. Eventually, Parvati is united with her beloved Shiva, never to be separated form him again.
The third part of this volume narrates three tales of the mighty Goddess Durga. Shakti, the female principle, activated Shiva and therefore worshipped as Durga, the personification of universal energy. The worship of Durga can be traced to the mother worship of the ancient pre-Aryan cults. Durga is created form the powerful rays of lights that emanated form the faces of all the Gods. Her thousand arms carry the greatest of all the Gods’ weapons – Shiva’s trident, Vishnu’s discus and Indra’s thunderbolt, among other. In essence, Parvati, Durga, Ambika and Kali or Chamundi are all powerful manifestations of the supreme female Shakti.
This Amar Chitra Katha special issue narrates three powerful tales of the Mother Goddess.
In the first story, Brahma and Vishnu are keen to see the ascetic Lord Shiva married. They appeal to Goddess Uma to Become Shiva’s consort and she is thus born to Brahma’s son Daksha. She is named Sati. With severe penances, young Sati wins the love of Shiva and they marry. Later, when Daksha insults Shiva, the ever-dutiful Sati immolates herself as she wishes to be reborn to a father she can respect.
True to her word, Sati is reborn as Parvati in the second story of this volume. She is the daughter of the great Mountain King, Himavat, and the lovely nymph, Menaka. Parvati fervently woos Shiva with charm, penance and servitude, in turn. The help of Kama, the God of Love, is also engaged in the romantic tale. Eventually, Parvati is united with her beloved Shiva, never to be separated form him again.
The third part of this volume narrates three tales of the mighty Goddess Durga. Shakti, the female principle, activated Shiva and therefore worshipped as Durga, the personification of universal energy. The worship of Durga can be traced to the mother worship of the ancient pre-Aryan cults. Durga is created form the powerful rays of lights that emanated form the faces of all the Gods. Her thousand arms carry the greatest of all the Gods’ weapons – Shiva’s trident, Vishnu’s discus and Indra’s thunderbolt, among other. In essence, Parvati, Durga, Ambika and Kali or Chamundi are all powerful manifestations of the supreme female Shakti.
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